2026\u2014 Exposition collective, projection d\u2019une vid\u00e9o d\u2019installation Rafistoler<\/em>, Artifact gallery,\u00a0New York (23\/09\/26 – 3\/10\/26)
2022\u2014 Exposition collective Paysages tactiles<\/em>, m\u00e9diath\u00e8que Margueritte Duras, Paris 20e
2021\u2014 Exposition collective 30 boites<\/em>, organis\u00e9e par la galerie Dhd, Bastille design center, Paris.
2021\u2014 Exposition collective Paysage tactiles<\/em>, galerie M\u00e9moire de l\u2019avenir, Paris 20e
2020\u2014 Exposition personnelle L\u2019envol\u00e9e<\/em>,Galerie des cascades, Paris 20e
2019\u2014 Exposition collective \u0152uvres de papier<\/em>, 100 ECS, 100 rue de Charenton, Paris 12e
2018\u2014 Exposition d\u2019estampes et fanzine au March\u00e9 noir de Rennes, salon de micro \u00e9dition
2017\u2014 Exposition collective Retour(s)<\/em>, Galerie Simple, 26 rue du Simplon, Paris 18e
2009\u2014 Exposition au FRAC Haute-Normandie Parlez-vous le braille?<\/em>\u00a0
2008\u2014 Expositions collectives : affiches s\u00e9rigraphi\u00e9es, Galerie du Pr\u00e9-aux-Clercs, Paris 7e
\u2014 Exposition gravures, gaufrages et livres tactiles, biblioth\u00e8que de Cergy
2007
\u2014 Exposition collective, gravures, gaufrages et livres, au centre culturel de Cr\u00e9teil
\u2014 Exposition collective, Livres<\/em>, \u00e0 la galerie de l\u2019ENSAD
2005\u2014 Exposition personnelle, gravures, gaufrages, livres, peintures, \u00e0 la Galerie du Pr\u00e9s aux Clercs, Paris 7e
<\/p>\n\n\n\n
CITATIONS DANS UN OUVRAGE Plasticienne et enseignante en design graphique \u00e0 l’\u00e9cole Duperr\u00e9, elle s’int\u00e9resse aux formes du livres, aux images imprim\u00e9es, et aux paysages. EXPOSITIONS2026\u2014 Exposition collective, projection d\u2019une vid\u00e9o d\u2019installation Rafistoler, Artifact gallery,\u00a0New York (23\/09\/26 – 3\/10\/26)2022\u2014 Exposition collective Paysages tactiles, m\u00e9diath\u00e8que Margueritte Duras, Paris 20e2021\u2014 Exposition collective 30 boites, organis\u00e9e par la galerie Dhd, Bastille design … Continuer la lecture de \u00c0 propos<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-38","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.gaulydelphine.com\/index.php\/wp-json\/wp\/v2\/pages\/38","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.gaulydelphine.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.gaulydelphine.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.gaulydelphine.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.gaulydelphine.com\/index.php\/wp-json\/wp\/v2\/comments?post=38"}],"version-history":[{"count":3,"href":"https:\/\/www.gaulydelphine.com\/index.php\/wp-json\/wp\/v2\/pages\/38\/revisions"}],"predecessor-version":[{"id":286,"href":"https:\/\/www.gaulydelphine.com\/index.php\/wp-json\/wp\/v2\/pages\/38\/revisions\/286"}],"wp:attachment":[{"href":"https:\/\/www.gaulydelphine.com\/index.php\/wp-json\/wp\/v2\/media?parent=38"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
. Catherine Li\u00e9geois, dans son ouvrage L\u2019art du livre tactile<\/em> r\u00e9pertorie Traces<\/em>, une \u00e9dition d\u2019images tactiles r\u00e9alis\u00e9e en 2007 \u00e0 l\u2019occasion de mon post-dipl\u00f4me \u00e0 l\u2019ENSAD. L\u2019art du livre tactile<\/em> est paru en 2017 aux \u00e9ditions Alternatives.
. Article dans la revue Drawing in Paris, la revue du dessin et de l\u2019hyper dessin<\/em>, n\u00b0 1 d\u00e9cembre 2023, \u00e9dit\u00e9e par la galerie Dhd.<\/p>\n\n\n\n![\"\"](\"http:\/\/wziomqk.cluster131.hosting.ovh.net\/wp-content\/uploads\/2026\/08\/home-683x1024.jpg\")
<\/figure>\n","protected":false},"excerpt":{"rendered":"